Marilyn Nance: Last Day in Lagos

Marilyn Nance: Last Day in LagosMarilyn Nance: Last Day in LagosMarilyn Nance: Last Day in LagosMarilyn Nance: Last Day in LagosMarilyn Nance: Last Day in Lagos


Marilyn Nance: Last Day in Lagos
Edited by Oluremi C. Onabanjo
ISBN: 978-0-9947009-9-5 
6 x 7.75 in
280 pgs
Hard Cover, with dust jacket
List Price: $45.00 
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Available in the USA via DAP Distributors
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Edited by Oluremi C. Onabanjo. Foreword by Julie Mehretu. Text by Antawan I. Byrd, Uchenna Ikonne, Tsitsi Ella Jaji. Afterword by Marilyn Nance. Bibliography by Zakiya Collier, Chisom Ilogu.

A focused study on a singular African American photographer, through an archival encounter with her documentation of the landmark FESTAC’77 festival.

From January 15 to February 12, 1977, more than 15,000 artists, intellectuals and performers from 55 nations worldwide gathered in Lagos, Nigeria, for the Second World Black and African Festival of Arts and Culture, also known as FESTAC’77. Taking place in the heyday of Nigeria’s oil wealth and following the African continent’s potent decade of decolonization, FESTAC’77 was the peak of Pan-Africanist expression. Among the musicians, writers, artists and cultural leaders in attendance were Ellsworth Ausby, Milford Graves, Fela Anikulapo Kuti, Samella Lewis, Audre Lorde, Winnie Owens, Miriam Makeba, Valerie Maynard, Queen Mother Moore and Sun Ra.

While serving as the photographer for the US contingent of the North American delegation, Brooklyn-based photographer Marilyn Nance made more than 1,500 images throughout the course of the festival—one of the most comprehensive photographic accounts of FESTAC’77. Drawing from Nance’s extensive archive, most of which has never before been published, Last Day in Lagos chronicles the exuberant intensity and sociopolitical significance of this extraordinary event.

Over the course of five decades, Marilyn Nance (born 1953) has produced images of unique moments in the cultural history of the US and the African Diaspora. Nance is a two-time finalist for the W. Eugene Smith Award in Humanistic Photography. Her work is in the collections of the Brooklyn Museum of Art, the Art Institute of Chicago, the Museum of Modern Art, the Smithsonian American Art Museum, the Schomburg Center for Research in Black Culture, the Virginia Museum of Fine Arts and the Library of Congress, and has been published in The World History of Photography, History of Women in Photography and The Black Photographers Annual. She lives in New York.

A list of awards for Last Day in Lagos:
TIME Best Photobooks of 2022
Vanity Fair, 17 of the Season’s Best Art Books
Kraszna Krausz Photobook Award Longlist
Aperture Photobook Award Shortlist

Selected press:
Anakwa Dwamena. “When the Party Came to Lagos.” Aperture. Spring 2022.
Siddhartha Mitter. “A Shining Moment of Pan-African Promise in a New Photobook.” The New York Times. 1 October 2022.
Eugene Holley Jr. “Picturing FESTAC.” Publishers Weekly. 5 October 2022.
Julian Lucas. “The Photographer Who Immortalized a Pan-African Pageant.” The New Yorker. 28 October 2022.
Alison Schaller. “17 of the Season’s Best Art Books.” Vanity Fair. 28 October 2022.
Tiana Reid. “I Was Mobile.” The New York Review of Books. 4 November 2022.
Caleb Azumah Nelson. “With Last Day in Lagos, Marilyn Nance Gathers a Diaspora.” The New York Times Book Review. 26 November 2022.
Rianna Jade Parker. “Marilyn Nance: Last Day in Lagos.” BOMB Magazine. 1 December 2022.